- ) What is one thematic/ideological contradiction apparent in post-war television programming that George Lipsitz identifies in “The Meaning of Memory”? How does one of the shows viewed in class (The Goldbergs ‘The in-laws’) illustrate and/or resolve this paradox?
Requirement: You must make use of at least one class reading and at least one class screening in response, these are formal assignments that should be organized and proofread，also and present separate/original arguments in relation to the prompt.
P(5.u)
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