secularisation’ to an understanding of European history

secularisation’ to an understanding of European history since 1500

answer each question in one page. there are 3 questions:
1) How useful do you find the concept of ‘secularisation’ to an understanding of European history since 1500?
2) What, if any, was the connection between the French Revolution and the ‘rise of nationalism’ in Europe in the 19th century?
3) What was the impact of industrialization on European society in the period c.1870-1914?

 

 

ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

 

history before 1865

68
history before 1865

If you could vote in 1828 , would you vot for Andrew Jackson or John Q Adams and why
ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

Mistaking Africa

Mistaking Africa

History

Mistaking Africa

Curtis Keim, Mistaking Africa. 2/e (2008). ISBN: 9780786725960, ebook: 9780813343860.

Topic: How has your perception of the African continent, and its diverse cultures
and histories changed as a result of your reading of this book?
ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount today (Code GAC13)

literary–historical periods

literary–historical periods

the key terms we’ve covered regarding literary–historical periods:short answers in the contexts of the books we read in class. As long as you can pull examples from the class texts

• [The Middle Ages—pre-modernity]
• The Renaissance [Early Modern period]
• The Enlightenment [Early Modern period]
o The Reformation
o The Scientific Revolution
• Neoclassicism [Early Modern period]
• Baroque [Early Modern period]
• Romanticism
o Pathetic fallacy
o Hyperbole
o The sublime
• Realism–Naturalism
o The Industrial Revolution
o Capitalism: The rise of the bourgeoisie
o Marxism (and economic determinism: you are your social class)
o Darwinism (and biological determinism: you are your genes)
o Freudianism (and psychological determinism: you are what happened to you as a very young child, before you can remember)
o Neurasthenia
o Ennui
• Modernism (High Modernism)
o Stream of consciousness
o Experimentation (Cubism, prose poetry, twelve-tone music, e.g.)
o Magical realism
• Postmodernism
o Fragmentation
o Quotationalism
o Irony
o Post-colonialism
• Modernity (as a whole)

And regarding literary structure:

• Protagonist
• Inciting incident
• Rising action
• Climax
• Falling action (denouement)
• Antagonist
o Foil
• Comedy
• Tragedy
• Irony
• Archetype
• Horror (fear of experience of pain or death)
• Terror (fear of anticipation of pain or death, much stronger than horror)
• The fantastic–uncanny (perceived as fantastic)
• The fantastic–marvelous (actually breaks the rules of the real world)
• The uncanny valley
• Hybridity, monstrosity

highlighted in bold the terms that I’m definitely going to ask about on the final.

You don’t need to memorize strict definitions or dates. write short answers in the contexts of the books we read in class. As long as you can pull examples from the class texts (your pick of texts),
Different text to draw defition from:
? The Tale of Genji, Murasaki, trans. Arthur Waley

? Inferno, Dante, trans. Robert Pinsky

? The Prince, Machiavelli, trans. Daniel Donno

? Don Juan, Moliere, trans. Richard Wilbur

? Frankenstein, Shelley

? Faust, Goethe, trans. Cyrus Hamlin & Walter Arndt

? Madame Bovary, Flaubert, trans. Geoffrey Wall

? Orlando, Woolf

? A Mercy, Morrison

ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13%Discount (C0de GAC13)

 

European historical event between 1918 and 1990

European historical event between 1918 and 1990

Paper instructions:i
Pick a European historical event between 1918 and 1990 and find two primary newspapers or magazines who reported on that event in the time period. You will have to write a 2-3 page paper where you discuss the coverage of the event in your sources to the coverage in your textbook. You don’t need to have a strict compare/contrast of what the sources say and what the textbook says, but this is to help you write a paper about a specific event while basing it on sources from the time period as well as your textbook.

ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

 

 

Colonial History of Japan and China

Colonial History of Japan and China

compare and contrast on Colonial History of Japan and China .

 

ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

Cold War

Cold War

Subject: American History
Instructions for the Book Review
and the book review is on cobbs, daniel M. Native American in cold war america: the struggle for sovereignty, university of new mexico press. 2008

In order to write a good review, you must think carefully about the book. Since reviews are to be between 1400 and 1600 words long, you must take pains to organize and present your thoughts with precision, clarity, and conciseness. Begin your review with the author, title, and facts of publication for the book using standard bibliographical form, for example:

 

Jules R. Benjamin. A Student’s Guide to History. Boston: Bedford/St. Martin’s, 2001.

Place an order today and get 135 Discount (Code GAC13)

Answers to the following seven sections must form the substance of your review. Answer each of them in the order given, each with a separate paragraph or series of paragraphs.

 

1. What is the author’s purpose in writing the book?

 

2. What is the book’s thesis?

 

3. How does the author organize material? What is the logic behind the topics of the chapters, and how do the chapters go together to form the book? You should be aware that there is almost always a fit between the thesis of a book and the logic of the book’s organization. Each points to the other. Thus, if you are in doubt about the thesis, pay attention to the organizational logic. In your review, include an explicit statement about the fit between the book’s organization and its thesis. This section can also include a brief summary of the book, but make sure that the summary is tied to the issue of organization.

 

4. To what subfield of history does the book belong? How so? What methodologies (particular ways of studying history) does the author employ? Do any academic theories (such as feminist or postmodern theories) guide the author, and, if so, which ones? If the author does not discuss methodology or theory, note their absence.

 

5. Does the author place his or her book into the subject matter’s historiography? If so, how? Are any secondary sources particularly important for the author? Which ones and why? What primary sources does the author use to develop the thesis of the book, and why are these particular sources used? Do not give just a list of sources. Discuss types of sources used and the reasons for relying on certain kinds of sources rather than others. Include an explicit statement about the book’s most significant sources in light of the author’s thesis.

 

6. Here you must also relate the book to the subject of the course: How does the book fit in with the issues raised and discussed in the course and the textbook? In particular, how, beyond adding more detail, does the book add new perspective to the assigned course reading, especially the textbook?

 

7. How well is the author’s purpose accomplished? In this section, you have an opportunity to make an original, critical evaluation of the book. You will want to address the issues of what is well done, poorly done, and originally done. Are the book’s arguments and uses of evidence clear or unclear, strong or weak, convincing or unconvincing? Should a reader agree or disagree with the author’s assumptions and conclusions? What are the book’s overall strengths and weaknesses? If a reader is curious about a subject, should he or she choose this particular book?

 

 

 

Writing Guide

For the basic formatting of the paper, look at the sample review in chapter three of Jules Benjamin’s A Student’s Guide to History.

 

Number the pages of your paper and use parenthetical citations to make reference to the book’s page numbers, such as (Benjamin, 23-24).
Double-space the essay.
Do not skip a line between paragraphs.
No title page or report cover is necessary for a short paper.
Write in complete sentences; avoid sentence fragments.

 

Avoid the first- or second-person point of view; write instead in the third person.

 

Write in the present tense when referring to a book’s author (“Benjamin describes the various forms of evidence”), and write in the past tense when referring to past events (“The candidate traveled thousands of miles during the campaign”).

 

Avoid using contractions.
With abbreviations, use the full name for the first reference (such as, Federal Bureau of Investigation) and abbreviations for subsequent references (FBI).
When referring to a person’s name, use the first and last name for the first reference and the surname for subsequent references.
Use two hyphens–with no spaces before or after–to form a dash.

 

Avoid dropped quotations: quotations without reference to a speaker or a writer.
Avoid block quotations in short papers. Block quotations are long quotations separated out from the main text of the paper.
In general, try to limit the use of quotations, but be sure to cite any information taken from the book.

 

The following are usage guides that can be useful for further reference: Diana Hacker, The Bedford Handbook; Kate L. Turabian, A Manual for Writers of Term Papers, Theses, and Dissertations; William Strunk, Jr. and E.B. White, The Elements of Style. All three are available in the campus library.

 

 

 

“The Fumblerules of Grammar”

by William Safire, 1978

Avoid run-on sentences they are hard to read.

 

Don’t use no double negatives.

 

Use the semicolon properly, always use it where it is appropriate; and never where it isn’t.

 

Reserve the apostrophe for it’s proper use and omit it when its not needed.

 

Do not put statements in the negative form.

 

Verbs has to agree with their subjects.

 

No sentence fragments.

 

Proofread carefully to see if you any words out.

 

Avoid commas, that are not necessary.

 

If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.

 

A writer must not shift your point of view.

 

Eschew dialect, irregardless.

 

And don’t start a sentence with a conjunction.

 

Don’t overuse exclamation marks!!!

 

Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.

 

Hyphenate between sy-
llables and avoid un-necessary hyphens.

 

Write all adverbial forms correct.

 

Don’t use contractions in formal writing.

 

Writing carefully, dangling participles must be avoided.

 

It is incumbent on us to avoid archaisms.

 

If any word is improper at the end of a sentence, a linking verb is.

 

Steer clear of incorrect forms of verbs that have snuck in the language.

 

Take the bull by the hand and avoid mixed metaphors.

 

Avoid trendy locutions that sound flaky.

 

Never, ever use repetitive redundancies.

 

Everyone should be careful to use a singular pronoun with singular nouns in their writing.

 

If I’ve told you once, I’ve told you a thousand times, resist hyperbole.

 

Also, avoid awkward or affected alliteration.

 

Don’t string too many prepositional phrases together unless you are walking through the valley of the shadow of death.

 

Always pick on the correct idiom.

 

"Avoid overuse of ‘quotation "marks."’"

 

The adverb always follows the verb.

 

Last but not least, avoid clichés like the plague; seek viable alternatives.

and the book review is on cobbs, daniel M. Native American in cold war america: the struggle for sovereignty, university of new mexico press. 2008
ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

Greek & Romans

Greek & Romans

Subject: History
Greek and Roman Humanities

Required Textbook: Cultures and Values Volume 1, VCC Edition, Cunningham/Reich.

Valencia College Professor Baker
Reflection Paper Instructions
Miriam-Webster’s online dictionary defines reflection as, among other things, a thought, idea, or opinion formed or a remark made as a result of meditation; consideration of some subject matter, idea, or purpose.
So, with that definition in mind, here is your assignment.
In a well thought out paper of 500 words minimum, look back at the cultures that came before the ancient Greeks and discuss their impact on the beginnings of civilization. What is the relationship of these early cultures to each other and to the cultures that would eventually evolve into civilization as we know it?
There is a lot to chew on there. I wouldn’t attempt to discuss everything. I would choose one aspect of these early peoples and analyses that particular element in relation to later developments.
Each paper should have a thesis. “Early cultures were important to later development” is not a thesis. That’s a “Yeah. No kidding. Why are they important?” kind of statement. A thesis should be something interesting, something that can be disputed by others who don’t see things the way that you do. This is your reflection, not someone else’s. There is a PowerPoint on thesis writing in the Content section of your class shell. Please look at it before you begin. It will help you in your development of this important statement.
• Papers should be at least 500 words. They can be longer.
• Papers should not utilize outside resources. These are your thoughts based on the readings in the book.
• Papers should use parenthetical references in MLA format from the reading in the text to back and defend your ideas.
General Guidelines for MLA format:
• Type your paper on a computer and print it out on standard, white 8.5 x 11-inch paper.
• Double-space the text of your paper, and use a legible font (e.g. Times New Roman). Whatever font you choose, MLA recommends that the regular and italics type styles contrast enough that they are recognizable one from another. The font size should be 12 pt.
• Leave only one space after periods or other punctuation marks.
• Set the margins of your document to 1 inch on all sides.
• Indent the first line of paragraphs one half-inch from the left margin. MLA recommends that you use the Tab key as opposed to pushing the Space Bar five times.
• Create a header that numbers all pages consecutively in the upper right-hand corner, one-half inch from the top and flush with the right margin.
• Use italics throughout your essay for the titles of longer works and, only when absolutely necessary, providing emphasis.
Formatting the First Page of Your Paper:
• Do not make a title page for your paper.
• In the upper left-hand corner of the first page, list your name, your instructor’s name, the course, and the date. Again, be sure to use double-spaced text.
• Double space again and center the title. Do not underline, italicize, or place your title in quotation marks; write the title in Title Case (standard capitalization), not in all capital letters.
• Use quotation marks and/or italics when referring to other works in your title, just as you would in your text: Fear and Loathing in Las Vegas as Morality Play; Human Weariness in "After Apple Picking"
• Double space between the title and the first line of the text.
• Create a header in the upper right-hand corner that includes your last name, followed by a space with a page number; number all pages consecutively with Arabic numerals (1, 2, 3, 4, etc.), one-half inch from the top and flush with the right margin. (Note: Your instructor or other readers may ask that you omit last name/page number header on your first page. Always follow instructor guidelines.)
Tips:
• Do not use contractions (don’t, can’t, shouldn’t)
• Stay away from the pronoun I as much as possible. Discuss the characters, not yourself, your feelings or your thoughts. Your thoughts and feelings should shine through in your discussion of the topic.
• Do not make me part of your discussion by using the pronoun you. Avoid sentences like “You can see how much the Mesopotamians did.”
• Do not make unsubstantiated assumptions about anything. Do not start your paper out by saying something like “Life in ancient times was boring.”
• Everything you write in your paper should in some way be substantiating your thesis. Everything.

 

ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order today and get 13% Discount (Code GAC13)

 

Cold War

 

46
Cold War

Subject: American History
Instructions for the Book Review
and the book review is on cobbs, daniel M. Native American in cold war america: the struggle for sovereignty, university of new mexico press. 2008

In order to write a good review, you must think carefully about the book. Since reviews are to be between 1400 and 1600 words long, you must take pains to organize and present your thoughts with precision, clarity, and conciseness. Begin your review with the author, title, and facts of publication for the book using standard bibliographical form, for example:

 

Jules R. Benjamin. A Student’s Guide to History. Boston: Bedford/St. Martin’s, 2001.

 

Answers to the following seven sections must form the substance of your review. Answer each of them in the order given, each with a separate paragraph or series of paragraphs.

 

1. What is the author’s purpose in writing the book?

 

2. What is the book’s thesis?

 

3. How does the author organize material? What is the logic behind the topics of the chapters, and how do the chapters go together to form the book? You should be aware that there is almost always a fit between the thesis of a book and the logic of the book’s organization. Each points to the other. Thus, if you are in doubt about the thesis, pay attention to the organizational logic. In your review, include an explicit statement about the fit between the book’s organization and its thesis. This section can also include a brief summary of the book, but make sure that the summary is tied to the issue of organization.

 

4. To what subfield of history does the book belong? How so? What methodologies (particular ways of studying history) does the author employ? Do any academic theories (such as feminist or postmodern theories) guide the author, and, if so, which ones? If the author does not discuss methodology or theory, note their absence.

 

5. Does the author place his or her book into the subject matter’s historiography? If so, how? Are any secondary sources particularly important for the author? Which ones and why? What primary sources does the author use to develop the thesis of the book, and why are these particular sources used? Do not give just a list of sources. Discuss types of sources used and the reasons for relying on certain kinds of sources rather than others. Include an explicit statement about the book’s most significant sources in light of the author’s thesis.

 

6. Here you must also relate the book to the subject of the course: How does the book fit in with the issues raised and discussed in the course and the textbook? In particular, how, beyond adding more detail, does the book add new perspective to the assigned course reading, especially the textbook?

 

7. How well is the author’s purpose accomplished? In this section, you have an opportunity to make an original, critical evaluation of the book. You will want to address the issues of what is well done, poorly done, and originally done. Are the book’s arguments and uses of evidence clear or unclear, strong or weak, convincing or unconvincing? Should a reader agree or disagree with the author’s assumptions and conclusions? What are the book’s overall strengths and weaknesses? If a reader is curious about a subject, should he or she choose this particular book?

 

 

 

Writing Guide

For the basic formatting of the paper, look at the sample review in chapter three of Jules Benjamin’s A Student’s Guide to History.

 

Number the pages of your paper and use parenthetical citations to make reference to the book’s page numbers, such as (Benjamin, 23-24).
Double-space the essay.
Do not skip a line between paragraphs.
No title page or report cover is necessary for a short paper.
Write in complete sentences; avoid sentence fragments.

 

Avoid the first- or second-person point of view; write instead in the third person.

 

Write in the present tense when referring to a book’s author (“Benjamin describes the various forms of evidence”), and write in the past tense when referring to past events (“The candidate traveled thousands of miles during the campaign”).

 

Avoid using contractions.
With abbreviations, use the full name for the first reference (such as, Federal Bureau of Investigation) and abbreviations for subsequent references (FBI).
When referring to a person’s name, use the first and last name for the first reference and the surname for subsequent references.
Use two hyphens–with no spaces before or after–to form a dash.

 

Avoid dropped quotations: quotations without reference to a speaker or a writer.
Avoid block quotations in short papers. Block quotations are long quotations separated out from the main text of the paper.
In general, try to limit the use of quotations, but be sure to cite any information taken from the book.

 

The following are usage guides that can be useful for further reference: Diana Hacker, The Bedford Handbook; Kate L. Turabian, A Manual for Writers of Term Papers, Theses, and Dissertations; William Strunk, Jr. and E.B. White, The Elements of Style. All three are available in the campus library.

 

 

 

“The Fumblerules of Grammar”

by William Safire, 1978

Avoid run-on sentences they are hard to read.

 

Don’t use no double negatives.

 

Use the semicolon properly, always use it where it is appropriate; and never where it isn’t.

 

Reserve the apostrophe for it’s proper use and omit it when its not needed.

 

Do not put statements in the negative form.

 

Verbs has to agree with their subjects.

 

No sentence fragments.

 

Proofread carefully to see if you any words out.

 

Avoid commas, that are not necessary.

 

If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.

 

A writer must not shift your point of view.

 

Eschew dialect, irregardless.

 

And don’t start a sentence with a conjunction.

 

Don’t overuse exclamation marks!!!

 

Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.

 

Hyphenate between sy-
llables and avoid un-necessary hyphens.

 

Write all adverbial forms correct.

 

Don’t use contractions in formal writing.

 

Writing carefully, dangling participles must be avoided.

 

It is incumbent on us to avoid archaisms.

 

If any word is improper at the end of a sentence, a linking verb is.

 

Steer clear of incorrect forms of verbs that have snuck in the language.

 

Take the bull by the hand and avoid mixed metaphors.

 

Avoid trendy locutions that sound flaky.

 

Never, ever use repetitive redundancies.

 

Everyone should be careful to use a singular pronoun with singular nouns in their writing.

 

If I’ve told you once, I’ve told you a thousand times, resist hyperbole.

 

Also, avoid awkward or affected alliteration.

 

Don’t string too many prepositional phrases together unless you are walking through the valley of the shadow of death.

 

Always pick on the correct idiom.

 

"Avoid overuse of ‘quotation "marks."’"

 

The adverb always follows the verb.

 

Last but not least, avoid clichés like the plague; seek viable alternatives.

and the book review is on cobbs, daniel M. Native American in cold war america: the struggle for sovereignty, university of new mexico press. 2008
ORDER THIS ESSAY HERE NOW AND GET A DISCOUNT !!!

Place an order and get 13% Discount(Code GAC13)